CLICK ON AN IMAGE BELOW FOR PROJECT REVIEWS, PHOTOS AND VIDEOS
  • THE SONG THAT I SING; OR, MEOW SO PRETTY
    The Chase Brock Experience
  • MIRROR MIRROR
    The Chase Brock Experience
  • LAST WEEK TONIGHT WITH JOHN OLIVER
    HBO
  • PICNIC
    Broadway
  • CURIOUS EPISODE
    The Chase Brock Experience
  • THE HUNCHBACK OF NOTRE DAME
    La Jolla Playhouse
    Paper Mill Playhouse
  • SPIDER-MAN
    Turn Off the Dark
    Broadway
  • ROMÉO ET JULIETTE
    Salzburger Festspiele
  • THE BLUE FLOWER
    Second Stage Theatre
  • WHAT A WONDERFUL WORLD
    The Chase Brock Experience
  • VENICE
    The Public Theater
  • AMERICAN SADNESS
    The Chase Brock Experience
  • THE NUTCRACKER
    Flat Rock Playhouse
  • JUNK AND LIES
    The Chase Brock Experience
  • DANCE ON BROADWAY
    Nintendo Wii
    PlayStation Move
  • THE CRADLE WILL ROCK
    Encores! Off-Center
  • IRMA LA DOUCE
    City Center Encores!
  • THE
    WINTER’S TALE
    The Public Theater
  • THE MYSTERIES
    The Flea Theater
  • THE TEMPEST
    The Public Theater
  • PIPPIN
    Kansas City Repertory Theatre
  • MUCH ADO ABOUT NOTHING
    The Public Theater
  • ‏LATE SHOW WITH DAVID LETTERMAN
    CBS
  • LOST IN
    THE STARS
    City Center Encores!
  • THE FOUR SEASONS
    The Chase Brock Experience
  • MISSION: IMPLAUSIBLE
    The Chase Brock Experience
  • SLOW FLOAT
    The Chase Brock Experience
  • WHOA, NELLIE!
    The Chase Brock Experience
  • ‏THE 85TH ANNUAL MACY’S THANKSGIVING DAY PARADE
    NBC
  • TAMAR OF
    THE RIVER
    Prospect Theater Company
  • DIRECT:

    chase.brock@mac.com

  • REPRESENTATION:

    DI GLAZER AND PATRICK HEROLD
    International Creative Management
    212.556.6820
    dglazer@icmpartners.com
    pherold@icmpartners.com

  • WEBSITE DESIGN:

    www.starvingartistwebdesign.com

THE FOUR SEASONS

Music by Antonio Vivaldi
Text by David Zellnik
Choreography by Chase Brock

 

Joyce SoHo
The Chase Brock Experience

 

““The Four Seasons,” the final piece, is, improbably, even better. It’s hard to find a new take on Vivaldi’s overfamiliar score, but Mr. Brock manages it, constructing an apocalyptic scenario of climate change that is both entertaining and disturbing. Katie Rayle as Roz G., a tightly put-together television weather announcer, is quite brilliant (“it’s sunny, it’s perfect, it’s boring, it’s awesome”), and Mr. Brock never overuses her, welding the work’s parts together with admirable skill. The bright costumes, some lovely, some queasily camp (by Dane Laffrey), help too, as does the evocative lighting by Traci Klainer. It’s sunny, it’s perfect, it’s boring, it’s awesome. It’s an experience.”

– The New York Times

 

“The second act, however, moves beyond light entertainment with Brock’s rendition of “The Four Seasons,” using Vivaldi’s familiar score. After a predictably bright, springy first section that’s reminiscent of Paul Taylor’s gracious lyricism and Susan Stroman’s cleverly recycled steps, Roz G. (actress Katie Rayle in a dead-on send-up of a TV weather girl) enters amongst the dancers and, while they change out of their spring attire, predicts an unprecedented temperature rise. “It’s 135-degrees; it’s a frigging record!

The dancers reappear in beachwear and swelter, rubbing on lotion, swatting mosquitos, playing volleyball, and making love in the sand. All the costumes hang on a pole upstage that lowers imperceptibly during the course of the dance. A sudden snowstorm interrupts their play, they shiver and huddle, and Roz returns to note the phenomenon with her synthetic cheeriness. Intimations of global climate change emerge. Brock uses the music cleverly to support the narrative.

When the “Autumn” section comes, the dances don lush, faux-18th century garb. Ashley Eichbauer appears to be pregnant. She retires and returns, dressed in a plain black shift, for a sad lyric solo, seemingly having lost the baby. As the dancing continues, people are felled by some unknown pestilence; they collapse and some recover. Roz delivers restorative health drinks, which revive all but one victim.

In the “Winter” section, the dancers in black bikinis fall to irrational behavior, scribbling on walls with imaginary chalk, running around madly, fainting and reviving, fantasizing volleyball again. Another person dies. Everyone flies into a leaping, flailing rage as the music swells to its finale. The The ballet, which began almost frivolously, turns into a genuinely moving work, with a powerful point of view, an expression of potential terrestrial disaster. Who’d have thought such a naively playful beginning could become so profound?”

– Gay City News

  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor
  • Photo by Rosalie O'Connor